What Is A Memorial For?
Wednesday, January 7th, 2:00-4:30 PM
House Museum Chimney Yard, Pacific Palisades
Shuttle: 333 Los Liones Dr, Pacific Palisades, CA 90272
In this thinkpiece about LA’s capacity to forget disasters, The Hollywood Reporter's Matthew Specktor writes that L.A. is “built on a series of amnesias.” He adds that he has “yet to see any public, tangible memorializing of the Eaton or Palisades fires.”
Well, one person who has embarked on realizing exactly that is Evan Curtis Charles Hall. His House Museum has spent the last year working to create a Palisades Fire Memorial made of six salvaged chimneys, some by notable architects, that survived the flames in otherwise immolated houses.
This Wednesday, Angelenos are invited for a commemorative gathering and fundraiser at the Chimney Yard in the Palisades, where one chimney stands and five others are temporarily in storage. Following a welcome from Palisades community leaders, Hall and a panel will discuss “the importance of memorialization and our collective role in the process of recovery.”
Limited Capacity – RSVP to info@house.museum
Image courtesy House Museum
From the Upper Valley in the Foothills: Various Artists
January 10th-31st, Opening: Saturday, January 10th, 4-7 PM
Marta, 3021 Rowena Avenue, Los Angeles, CA 90039
“Trees, perhaps more than any other element of a landscape, embody the spirit of lived existence,” says Marta gallery in Silver Lake.
Marta has teamed up with Angel City Lumber, one of the rare local mills that collects and catalogs fallen trees, for use in commercial and community projects. They will mark the anniversary of the fires with a show of functional artworks made from unique pieces of timber by an impressive lineup of artists and furniture, including curator Vince Skelly, Ryan Belli, Brian Guido (Barni Goudi), Tristan Louis Marsh, Shin Okuda, Ellie Richards and many more.
Click here for details.
Stool by Vince Skelly; Image courtesy Marta
Rebuilding Our Community
Altadena Rebuild Expo
Saturday, January 10th, 10 AM-7:15 PM; After Party: 7-8:30 PM
409 Woodbury, Altadena, CA 91001
Drive through Altadena now and you will see some replacement houses briskly under construction. But for many homeowners, the job of rebuilding has barely begun. So January kicks off with Altadena Rebuild Expo, an all-day, community-driven event “guiding homeowners through every stage of rebuilding from first questions to move-in, from planning and permits to design, construction, and resilient materials.”
Expect presentations from county agencies, licensed professionals, and design-build experts. Speakers include Charles and Lynnelle Bryant, featured above.
Click here for details.
Newly built homes sit alongside empty sites in Altadena. Photo by Frances Anderton
Design Against Racism
Lore Leimert Park
4334 Degnan Blvd, Los Angeles, CA 90008
Friday, January 9th, 6-8 PM
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Harun Grand Opening
Friday, January 9th
4336 Degnan Blvd. Los Angeles, CA 90008
Side by side on Degnan Boulevard in downtown Leimert Park are three young businesses that should be catnip to anyone interested in culture and design: Lore Leimert Park, a bookstore founded by Untitled Love creator Dário Solari. Its rich cherrywood shelves contain art and design, theory and political writings devoted to “cultivating community through critical design philosophy.” A long communal table and kids corners enhance the sense of togetherness.
Next door is Harun, two storefronts containing a boutique coffee bar connected by a hidden door (made of hinged shelves) to a seductive haven for performance and talks. The first is mustard yellow, the second washed from carpeted floor to ceiling in maroon.
These two enterprises received co-investment from Prophet Walker, co-creator of Treehouse coliving buildings, who is now deeply engaged with the Leimert Park area.
This Friday, Harun holds its official opening, and Lore Leimert Park hosts a conversation, led by Walker, on architecture, planning and “Design Against Racism,” the topic and title of a new book in store by Omari Souza. Souza and I will join Walker for the conversation.
Click here for details.
Image by Taiyo Watanabe, courtesy Lore Leimert Park
Defending Ethical Integrity: The New Degenerate Art
January 10th-February 21th; Opening Reception: Saturday, January 10th, 6-9 PM
Torrance Art Museum, 3320 Civic Center Drive, Torrance CA 90503
No one wields a pencil with quite the power of my friend Laurie Lipton, artist of large artworks made of millions of tiny pencil strokes that savage consumer culture. Now “POST TRUTH,” below, an 8x9-foot drawing, joins a lineup of artists including AMBOS Project, Ken Gonzales-Day, Narsiso Martinez, Steven Wolkoff and Nadya Tolokonnikova of Pussy Riot at Defending Ethical Integrity: The New Degenerate Art, opening this Saturday at Torrance Art Museum.
Invoking the Nazi Party’s infamous 1937 Degenerate Art exhibition, Defending Ethical Integrity (D.E.I.) “stands as both a rebellion and a celebration of fearless self-expression,” say organizers.
Click here for details.
Image courtesy Laurie Lipton.
Tools of the Trades: American Handmade Implements & Devices
Craft in America Center in Los Angeles
Through February 28th
8415 West Third Street, Los Angeles, CA 90048
For every action, there is a reaction. As AI and rapid automation sweep forward, a community of makers remains committed, not merely to handcraft, but also making the tools for their crafts, “deftly manipulating plain steel and wood into exquisite devices, often sourcing materials hyper locally or from scrap,” says the team at Craft in America Center.
Check out this exhibition of tools so beautiful they are an item of functional art in themselves, created by a range of artisans including Tom Latané, maker of the hacksaws, below.
Click here for details.
Image courtesy Craft in America Center.
Cardboard: Infinite Possibilities
Through January 30th
Artist talk: Thursday, January 15th, 7-9 PM
Closing reception: Friday, January 30th, 5-9 PM
Wönzimer Gallery, 341-B S Avenue 17, Los Angeles, CA 90031
On seeing Frank Gehry’s cardboard furniture some 35 years ago, artist Ann Weber was transfixed, and since then devoted herself to creating large amoebic sculptures out of discarded boxes. She’s also kept tabs on other artists working with cardboard and has curated a newly opened, group show for Wönzimer Gallery, featuring 13 artists who, she says, “redefine what is possible with this humble material.”
Weber says that sustainability and reinvention are central themes throughout the show, modeled most prominently in Shigeru Ban’s rapid-response shelters made of cardboard sonotubes for communities affected by natural disasters.
Click here for details about the show and here for the artist talk.
Image courtesy Ann Weber/Wönzimer Gallery