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Hi friends,

Lately, it feels like jazz is everywhere in Los Angeles again. New festivals, packed rooms, more visibility, and even a few high-profile misfires that show how much ambition and expectation now surround the music. If anything, the renewed attention makes one thing clear: jazz is speaking directly to this moment.

But as LeRoy Downs reminds us in this week’s Music Insider, jazz never really went away.

It has continued to evolve, challenge, comfort, provoke, and shape American culture in ways that are both obvious and deeply embedded. The musicians kept playing, the communities kept gathering, and the language of jazz kept moving forward.

That’s something KCRW has always believed in, and something LeRoy has championed for years on his Sunday night show, every week from 10 PM to midnight.

Below, LeRoy reflects on what jazz means now, why it continues to matter, and how deeply alive the scene remains across Los Angeles.

– Ale


Jazz music is a seed planted and created by brilliant artists of the past that has continued as a foundation for the blossoming of more intellectual tones and blends that shape the music of today.

We have a community of musicians who have dedicated their lives to discovering and composing new ways of expressing their ideas formulated around how the world feels to them individually and as a community. Jazz is music that reverberates happiness, devastation, pain, joy, and excitement, allowing its audience to have an understanding of the nature of different perspectives as well as the ability to learn about the vibrations that lie within oneself.

Now let’s talk about perspectives. This word “jazz” has been used, abused, and also hailed as the end-all, be-all of music. How can one word evoke so many different feelings? To many, it is a word that presents as a social construct displaying an air of “cool." This is a fallacy, a pretense that many would like to associate themselves with in order to be accepted as part of a special, desirable group. It can also be presented as a math problem, difficult to understand. This is also a fallacy. There is a fear that exists in not knowing. Pretending as if you do to please others is not authentic.

LeRoy for Music Insider

The simple answer to this dilemma is to be your authentic self and receive these blessings and vibrations as they are presented to you. You do not have to know the music, the time signature, or the origin of the melodies to know how it feels. Allow yourself to feel the music without all of the implications imposed by you or others, and let that be your guide to knowledge and experience.

How jazz music feels to you is what matters, and your love or disdain for it will be the way that you acquire your knowledge. The music itself is originally authentic and should be received as such. It can be hard, complicated, beautiful, angry, forceful, nostalgic, and appeal to so many feelings that you already possess. That is because the music is just as human as you are. Jazz was born with all of these expressions in mind to let you know the artist's feelings, or how the artist wants you to explore your own feelings. It is human art, and only you can make those determinations.

One good way to get closer to the music is to listen and research an artist. Read about what that artist has to say, their history, what they have endured, what they stand for, and your ears may hear the music in a different way. Insights and accolades given by journalists are one way to have ideas, but in this day and age, the only way to get to the truth is to investigate yourself. Ask yourself why this music moves you, and you will find that most of the answers lie within yourself.

Wherever you are in this great city or cities all over the country, there is a community of jazz artists who want to share their expressions with you. Some may tempt you by repeating and entertaining you with music of the past, creating a euphoric nostalgia, connecting you to earlier moments in your life. Others may challenge you and want you to explore your feelings, while others just want to give you a well-deserved break from thought and just want you to feel good. Whatever the intention, you need to connect.

Most people say, “I want to go and hear some jazz,” meaning they are looking for a brick-and-mortar place to physically go. We have those for sure. Places like the Blue Note Los Angeles, The World Stage, Sam First, Catalinas, The Town House, The Blue Whale (coming back soon), Birds of a Feather, Sound Dhaba, or the larger venues like The Walt Disney Concert Hall, The Music Center, LACMA, and others. There is a vibrant jazz scene here in Los Angeles(!), where members of our community are presenting things at venues all over town, from rock clubs and galleries to coffee houses and house concerts. Folks like Just Jazz, Minaret, and Jazz is Dead all have their flair and flavor for presenting some of the most brilliant and extraordinary jazz, elevating us all to higher heights.

Elevation is what we all aspire to: a higher evolution of understanding, feeling, and togetherness as humans that is loving and amiable. Of course, we all have differences. I’m more interested in how we can be together, live together, love each other, and how jazz music can be the conduit, the solution, the healing elixir that will direct us on the path of evolution and contemplation.

Move forth with strength and conviction! All we have is the journey and each other. Jazz can be the cinematography to our souls, our stories, and our lives.

Don’t miss these Awesome Jazz Festivals coming up!

  • The Angel City Jazz Festival in October 
  • Jazz Refractions from October 9th through October 25th at various locations around Los Angeles

- LeRoy Downs

Just Jazz


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Now Spinning On My Turntable
Cassandra Wilson - New Moon Daughter

Cassandra for Music Insider

With love and honor, we remember the great Cassandra Wilson.

I keep returning to New Moon Daughter, a record that captures so much of what made Cassandra singular. She could take a familiar song and approach it from an entirely unexpected direction, leaving space, mystery, and possibility in every phrase. Always entertaining, but never simply an entertainer. What came through was her truth.

I was fortunate to know Cassandra beyond the stage. The last time we connected, during the pandemic, she was tending her garden and picking mustard greens, talking about their bitterness and the pleasure of being close to the earth. That was Cassandra, or “Cdubya” to those close to her: incredibly grounded, warm, funny, and completely herself. Being around her sometimes reminded me of the Oracle in The Matrix. You knew you were in the presence of someone special, yet she never seemed to be trying to convince you of it.

We lost her far too soon. I’d like to share one of our last conversations from Just Jazz Cafe, and I hope it brings back some of the joy, wisdom, and magic she gave us. Watch Cassandra Wilson in conversation with LeRoy Downs.

Rest in power, Queen.

— LeRoy Downs


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More Music Moments

Lucy Dacus stopped by Morning Becomes Eclectic ahead of her headlining show at the Hollywood Bowl

This past Tuesday, Lucy Dacus joined guest host Raul Campos on Morning Becomes Eclectic, ahead of her headlining show at the Hollywood Bowl this Sunday. This performance is part of KCRW Festival and will feature The Hollywood Bowl Orchestra and Cat Power alongside Dacus, three years after her performance at the Bowl with bandmates Phoebe Bridgers and Julien Baker. Check out Lucy’s conversation with Raul, where she shares selections that remind her of her childhood, what inspired her to be an artist, and more.

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“Must Listen” Episode 2: Ed O’Brien (Radiohead)

KCRW continues weekly with its new Must Listen series, where we bring someone through the expansive CD library with two instructions: find something that is a “must listen” record, and leave a note in the CD case for the next individual who picks it. The first episode featured Liz Phair and Corin Tucker (Sleater-Kinney), and we are excited to announce the second edition, with Radiohead’s Ed O’Brien. The upcoming episodes include visits from Alabama Shakes, Fcukers, Melody’s Echo Chamber, and more. KCRW’s Must Listen is sponsored by Qobuz, an independent music and streaming and download platform whose support reflects a shared commitment to human curation, intentional listening, and artist discovery.

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Wyclef Jean on The Sam Sanders Show: How To Write a Hit Song

Musician and rapper Wyclef Jean joined Sam in the studio with his guitar to play some songs that tell his story. From his campaign to be president of Haiti to his fondness for church music, he shares the many life moments that shaped his craft. He also breaks down his new project Quantum Leap, a seven-album project spanning seven different genres. So far, his jazz album Q Theory, and Clef Notes, the hip-hop project, are out now. Check out the full interview.


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Upcoming Music Events

What if 40 minutes of instrumental music made by two friends passing files across state lines could capture the range of human experience, or at least a disproportionate chunk of it — worry and camaraderie, hope and frustration, tenderness and absurdity? That is the question that steadily emerges across the nine tracks of the self-titled debut from Croz Boyce, the duo of two musicians who have made some of the last quarter-century’s most inquisitive music, Dave Portner (Avey Tare) and Brian Weitz (Geologist) of Animal Collective. KCRW is excited to present their upcoming show at Sid The Cat Auditorium on September 15th. We will also soon be welcoming them to the KCRW studio for a special live performance. 

🎶 🗓️ ➡️  Also On KCRW's Radar  ⬅️ 🗓️ 🎶

Fri, Sept 11th — KCRW Presents Thievery Corporation at YouTube Theater

Sat, Sept 12th — KCRW Presents Altın Gün at Orpheum Theatre

Sun, Sept 13th — KCRW Presents Fabiano Nascimento w/ Julien Cantelm & DJ Wydleflower at Townhouse Venice

Tues, Sept 15th — KCRW & Pappy & Harriets Present Arlo Parks

Tues, Sept 15th — Haute & Freddy at the Fonda

Thurs, Sept 17th — KCRW Presents Sweeping Promises at Sid The Cat Auditorium

Thurs, Sept 17th — KCRW & MakeOutMusic Present School Night: June Swoon, JP O’Grandy, Lyla George, Alaina May at The Airliner

Thurs, Sept 17th — KCRW Presents “Third Thursdays” with Brandon Coleman Quartet with Eric Sittner, Horace Bray & Efa Etorom at Sam First

Thurs, Sept 17th — KCRW Presents Daniel Avery at El Rey Theatre

Thurs, Sept 17th and Fri, Sept 18th — KCRW Presents Soulwax at Fonda Theater


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