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Tulips by Circus, edited for Canva

Dear DNA friends,

I hope you’re all doing well. Jump ahead for Design Things to Do, including Design Miami.LA and sonically charged ceramics at Adam Silverman’s Common Ground artwork for a less divided world. Before that, a thought on cities.

I am writing to you from Old Europe — not from one of the current hotspots (Venice Biennale! Milan Furniture Fair! Paris on the eve of the Olympics!). Rather, I’m in Bath, England (spring tulips, above), spending time with my mom as she recovers from an injury.

Bath is a small country town, which you may know from Jane Austen novels; or for its ancient spa waters, enjoyed by Celts, Romans, Georgians, and Bathonians today. Mom lives in the town center and has much to say about the changes afoot. Her biggest beef is the closure of many roads for most cars (purportedly for security reasons), which brings me to The 15-Minute City: A Solution to Saving Our Time and Our Planet. 


15-minute-city-obel-award-carlos-moreno-news_dezeen_2364_col_3-1704x1781Infographic from The 15-Minute City. Image by Nicolas Bascop & Michael.

This is a new book, due out in early May, by Carlos Moreno, the Columbian-born, Paris-based roboticist, systems analyst, and urban thinker who argues that humanity needs to override twentieth-century, sprawling, car-based cities with dense, mixed-use, mixed-income communities in which residents can get everything they need within a 15-minute walk, bike or transit ride, or 30 minutes in more spread-out places.

The 15-Minute City has echoes of New Urbanism. It is a unifying theory of city-making that encompasses all the efforts since Jane Jacobs fought the construction of the Lower Manhattan Expressway to mend the city fabric riven by urban highways and zoning of work, home, and leisure. Such efforts include preserving existing fabric, interventions like bike lanes, pedestrianized streets, and pocket parks, plus community engagement and denser, mass-transit-based living. To these, Moreno has added the urgent imperatives of climate change and the pandemic, which he says woke up the world to new priorities — the desire for fresh air, open space, and social connection — while crushing the daily home-to-work paradigm.

The book explores cities that have embraced the 15-minute philosophy, most visibly Paris, under the forceful leadership of Mayor Anne Hidalgo, as well as Portland, Oregon; Busan, South Korea; Sousse, Tunisia, and several other municipalities. Even in the quintessential car-based region of Los Angeles, his ideas have gained traction and you’ll often hear the 15-minute city invoked in connection with traffic calming and densification schemes. Moreno believes life in these places will be less “masculine,” less speed-obsessed (unlike my mother, who loves driving fast), less polluted, and filled with relaxed people living in “happy proximity.”

Moreno seems to subscribe to the “great man theory” of what ails cities: he ascribes runaway suburbia more to the malign influence of architect Le Corbusier and the American PR Edward Bernays than to its appeal to millions of people burned out on early industrial city life. So a defense of non-proximity has arisen. The British government has decried the 15-minute city concept; a critic wrote that car-free streets would impose an “unprecedented level of control over public space and the daily lives of residents.”

And this is what gets my mom worked up. Leaving aside her speed-freakery, she asks what happens to the seniors who need to get ferried to the hospital, the delivery people getting to the stores, the families herding young children, the tourists with heavy suitcases, and the care workers and teachers who simply cannot afford to live within the neat 15-minute circle. After all, many a pleasant 15-minute city, such as Paris, has lost affordable homes to Airbnb, global investors, or resistance to affordable residential development.

If it were possible to thread this needle, however, 15-minute city living could be lovely. Bath, with its now less trafficked streets, it certainly a pleasant place to walk in. Sorry, mom!

car free BathMost cars are unable to enter this city center street in Bath, after 10:00 AM. Photo by Frances Anderton.

For anyone wanting to hear from Moreno directly, he will be sharing his ideas in Los Angeles next Tuesday, May 7th. Unfortunately, it won’t be in a widely accessible space. He will join a line-up of speakers discussing Technology Powering Urban Innovation at the elite Milken Institute Global Conference, aka Davos West. He is one of several hundred speakers who will take on the 2024 topic of "Shaping a Shared Future."

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Design Things To Do

Rooms in Bloom
LEGENDS: La Cienega Design Quarter, West Hollywood
Tuesday, May 7th–Thursday, May 9th

All things floral are the theme for this year’s annual LEGENDS, three days of talks and gatherings for LA’s interior and furniture design community. 

The opening party at Sunset Tower Hotel honors the designer Pam Shamshiri, then comes breakfast hosted by Peter Dunham at Hollywood at Home, and a closing party at Ben Soleimani on Thursday, May 9th.

Along the way, check out the annual storefront window displays, and hear from luminaries in the field including Charlotte Cosby, Creative Director of Farrow & Ball (below), who will discuss “painted paper” with House Beautiful’s Editorial Director, Joanna Saltz.

Click here for all the programming, and here to register and purchase tickets.

Joliet-Farrow-Final-287Farrow & Ball showroom on La Cienega, designed by Project Room

Young Talent!
O-Launch Weekend
Otis College’s Los Angeles Campus
Friday, May 10th, 5:00 PM–10:00 PM; Saturday, May 11th, Noon–6:00 PM.

The Westchester campus for Otis College of Art and Design blossoms into a showcase of student talent next weekend when it unveils its annual exhibition for the work of graduating students from Otis’s BFA and MFA programs: Animation, Environmental Design, Fashion Design, Fine Arts, Game and Entertainment Design, Graphic Design, Illustration, Product Design, and Toy Design. 

The optimum time to attend is Friday night at 8:00 PM when you can catch the school's always flashy runway show, modeling the skills of junior and senior fashion students who have been mentored throughout the year by industry experts, this year including Mike Amiri, Revolve, J. Crew, and Katherine Ross/LACMA.  

Click here for details.

Otis fashion show, 2022, IMG_7770Otis College fashion design runway show, 2022; photo by Frances Anderton

Design and build your Dream Front-Yard Plaza with John Kamp and James Rojas
Ontario Museum of History and Art, 225 Euclid Ave, Ontario, CA 91762
Saturday, May 11th, 12:00 PM–4:00 PM

When I moved to LA in 1991, I met James Rojas, a newly minted urban planner who had written a fascinating thesis about how residents of Boyle Heights transform the front yards of their houses into "personalized plazas." “They become spaces of cultural survival creating a hybrid urban design element that uses US land use patterns with Latino cultural values,” he observes.

Rojas went on to establish a unique form of community outreach, taking a kit of colorful building blocks to neighborhoods where people often have no connection to the professional planning process, and inviting them to tap into memory and imagination to elicit their deepest desires for their surroundings.

Next Saturday, Rojas and partner John Kamp, also co-authors of the book Dream Play Build, take this show on the road to the Ontario Museum of History and Art. They will be part of the Culture Fest Block Party, highlighting, says the museum, "the rich Chicanx diaspora that has called Ontario its home for generations." Expect live music, a classic car show, hands-on art-making activities, and more. The duo has created a readymade mini-model kit of a Latino front yard, shown, to get the creative juices flowing.

Click here for more information.

Culture fest Front yard Turn the front yard into a "personalized plaza," with James Rojas and John Kamp.

Saving Beauty
How To Save Your Favorite Building: Reconciling Change With Continuity 

Wednesday, May 15th, 4:30 PM

The destruction of a beloved or admired building can be gut-wrenching. It is painful to see high human expression crushed, along with the structure's embodied energy, materials, and labor.

So many architecture aficionados were devastated when the actor Chris Pratt and his wife Katherine Schwarzenegger bought, off-market, the Craig Ellwood-designed Zimmerman house in Brentwood, and then promptly demolished it, along with its Garrett Eckbo landscaping. They reportedly plan to replace it with a 15,000-square-foot mansion.

All sorts of questions surround this act, including, how can one preempt such losses in the future while acknowledging that not everything should or can be saved? To that, you can find some answers at a conversation hosted by the Schindler House on “How to Save Your Favorite Building.”

Colleen Chapin, an architectural conservator, and preservation architects David Fixler, Peyton Hall, Gunny Harboe, and Greg Maxwell, will exchange their expertise on saving historical buildings, identifying what makes a building important to save, and how it can be reused in contemporary life.

Click here for information. 

Zimmerman-HouseThe Zimmerman House, 1950. Photo: Julius Schulman/The J. Paul Getty Trust/Getty Research Institute.

Reviving the California Dream
Neutra Office Building, 2379 Glendale Boulevard in Silver Lake
Saturday, May 18th, 11:00 AM

If you want to understand how the midcentury modern houses of Craig Ellwood and his peers went from embodying the California Dream to being forgotten and then elevated to architecture-as-art status, you may want to attend "Contemplating a Blockbuster, its Curator and the Aftermath," a conversation hosted by the Society of Architectural Historians (SAH/SCC.)

Victoria Lautman will interview Elizabeth Smith, curator of the seminal 1989 MOCA exhibition, Blueprints for Modern Living: History and Legacy of the Case Study Houses. This show was a first step in what has become a 35-year and still-going renaissance of interest in mid-century modern houses. It's a pity the sellers and buyers of the Zimmerman house did not get the memo!

Click here for information and tickets.

Screenshot 2024-04-30 at 5.52.42 PMA book based on the 1989-1990 exhibition at the Museum of Contemporary Art (MOCA) about Case Study Houses.

Design Miami.LA
May 16th–20th

For reasons that are not clear, Los Angeles, indisputably a global capital of design, has not yet developed its own global art or design festival. But it is increasingly a pitstop for festivals originating in other cities, most prominently Frieze. Now comes Design Miami.Los Angeles.

Design Miami. — a brand that started in Miami Design District, the place (yes, it’s confusing) –– is an online marketplace and lineup of fairs selling art, and historic and contemporary furniture and lighting, aka “collectible design.” Meaning furniture-as-art or limited edition, bespoke, or rare. It was created two decades ago by Miami Design District founder Craig Robins and has recently been bought by Basic.Space, the LA-based digital marketplace of vintage clothing and artifacts.

Screenshot 2024-04-29 at 9.52.31 PMPeter and Donna Shire, photographed by Henrik Purienne in their Echo Park Home; photo courtesy Design Miami.LA

Now Design Miami. is launching an inaugural outing in LA starting May 16th at a 1938 Paul Williams house in Holmby Hills. It comes with a global rebrand, designed by Henrique Purienne. His photo series, "living with design," features the much-loved Echo Park artist and ceramicist, Peter Shire, above. Meanwhile, gallerists and curators including Carpenters Workshop Gallery, Friedman Benda, Podium, and The Future Perfect will create collections at the Williams-designed estate centered around themes of "eclecticism, imagination, and nostalgia."

Click here for more information, and here to register interest for the public viewings, which take place May 18th - 20th.

Holmby Hills Estate, Paul WilliamsThis Holmby Hills house is the venue for Design Miami.LA. Photo © Walker Bunting for Design Miami.

Ceramics for a Better World
Common Ground – Exhibition and sonic improvisation featuring artist Adam Silverman and Austin Antoine of Get Lit.
Sunday, May 19th, 2:00 PM
Skirball Cultural Center, 2701 N. Sepulveda Boulevard, Los Angeles, CA 90049

How can one bridge extreme political and cultural divides? Ceramic artist Adam Silverman set out to create a statement of hope with the materials of his work: water and clay. The result is Common Ground, a collection of earth-toned tableware and pots currently on show at Skirball Cultural Center. On Saturday, May 18th, he will add a layer of sound: vessels from Common Ground will be used to make music alongside poetry, performance, and storytelling, also featuring Austin Antoine of Get Lit

Los Angeles–based Silverman, who is the Skirball Center’s artist-in-residence for 2024, collected clay, water, and wood ash from all fifty American states, Washington DC, and the five inhabited US Territories. He combined them into clay from which he created a set of tableware and ceremonial pots. The resulting 224 objects are, says the museum, a “community-activated artwork that celebrates American pluralism while also fostering human connection through shared meals and collaborative installations.” 

While the project, which started in 2019, was prompted by the polarization in the US during the Trump presidency, Silverman hopes the project's message can extend to the most challenging issues of our time. "The spillover from the war in the Middle East to the US is something that we are all feeling intensely," says Silverman. "So, while today is clearly too soon to imagine a shared meal between Palestinians and Israelis, we hope that we can start using the project in that context very soon."

Click here for details about the sonic improv, and here for details about the exhibition, which runs through January 5th, 2025.

Common GroundCommon Ground, by Adam Silverman. Image courtesy Skirball Cultural Center.

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What I'm Digging

My Grandma’s Doilies are Not a Joke

This story had me at the title. The Fabric Workshop and Museum (FWM) in Philadelphia managed to inflame the internet with an April Fools’ Day post about their mission to “unearth the forgotten textile relics” from “Meemaw’s Attic.” Elena Kanagy-Loux, a textile historian, asks, “Will art institutions finally pay respect to our foremothers’ artistry?” She reflects on learning to sew, crochet, and embroider from her mother and grandmothers, pointing out that the late artist Faith Ringgold, "who worked closely with the FWM, actively honored the role that her maternal ancestors played in shaping her practice.” Given that I’m spending time with my mom, who also taught me to sew, the story in Hyperallergic art magazine has a special resonance.

DoilyDoily crocheted by the author’s grandmother, Adella Kanagy, atop a quilt made by her great-grandmother, Alice Yoder (photo by Ruth Kanagy, courtesy Elena Kanagy-Loux/Hyperallergic).

Cross That Bridge

IMHO the replacement Sixth Street Viaduct, designed by architect Michael Maltzan with HNTB infrastructure design firm, is one of the most exciting new structures to appear in Los Angeles in recent years. But it’s only one of several new Los Angeles bridges worth crossing. Adam Markovitz picks some of the best of old and new crossings in this L.A. Times guide, making the case that LA can hold its own with other cities with some of the best bridges.

Sixth Street BridgeSixth Street Viaduct near completion in 2022. Photo by Frances Anderton.

Another Good Bridge

As mentioned, I'm in Bath, England, rightly admired for its gracious Georgian architecture amidst lush parkland and canopies of plane trees, oaks, and weeping willows. However, for anyone interested in contemporary architecture Bath is boring! Because in the historic area, there is none. Even a new shopping center had to be designed in a neoclassical style. So I was thrilled to discover this pedestrian bridge, spanning the River Avon in the city’s more industrial area, designed by the French engineer Marc Mimram, opened in 2022. Mimram describes bridges as “liminal spaces that span divides” and was “thrilled” the people of Bath “allowed this bit of soothing modernism into their classical city.”

Bridge over River Avon, Bath, IMG_5867This new steel bridge by Marc Mimram adds modernity to Bath. Photo by Frances Anderton.

Well, that's it for now. Thank you as always for reading. Keep me posted about design things I should know about.

Yours as ever,
Frances

PS. Subscribe to the newsletter here, get back issues here, and reach out to me at francesanderton@gmail.com.

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