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Dancing in the Sky by Morag Myerscough, Photo by Lance Gerber
Dear DNA friends,

I hope you’re all doing well and ready for some exciting Design Things to Do... which could involve going to the second week of Coachella.

Tickets are still available because sales have dropped this year. Factors include prices that are daunting even to LA's most well-heeled high schoolers and a line-up that is reportedly seen as less than stellar. This includes Lana Del Rey, Tyler the Creator, Doja Cat, Ice Spice, and electronic artist Grimes (who promises her second show will be technically flawless).  

However, there's always another reason to attend Coachella: to eyeball the public artworks like Dancing in the Sky (above) by Morag Myerscough, which "celebrates the joy of collective experience with a vibrant, geometric plaza that draws the eye upwards to the beauty of the desert sky," says the exhibit producer Public Art Company (PAC).

PAC is helmed by Raffi Lehrer. In collaboration with Paul Clemente (Art Director at Coachella's founder Goldenvoice), he scours the world for designers with the ability to create an installation that can be visible and striking from all corners of the huge polo field, invites audience interaction, and also offers shade.

Perhaps inspired by his family heritage — Lehrer's parents are the LA architect Michael Lehrer and the landscape architect Mia Lehrer he often selects architects who are testing new ideas.

Take for example Monarchs: A House in Six Parts by HANNAH (pictured below). It's a series of cone-shaped pavilions that "explores the fusion of 3-D printing with traditional craftsmanship." The creators, Cornell University professors Leslie Lok and Sasa Zivkovic, "reimagine architectural design through the lens of digital fabrication and natural inspiration."

Lehrer has a good nose for talent. One of his prior picks, Burkina Faso-born Francis Kéré, went on to win the Pritzker Prize!

Coachella 24, W1, L. Gerber-1Monarchs: A House in Six Parts by HANNAH. Photos here and top of page by Lance Gerber.

Rites of Spring in Poly Canyon

On the topic of installations that test architectural ideas, I got the chance last week to visit Cal Poly San Luis Obispo's very cool Architectural Practices Laboratory, also known as "Poly Canyon," and, sadly, as the "Architectural Graveyard."

On the rolling slopes of a nine-acre canyon sit raw structures — tensile sails, geodesic domes, organic molded forms, and suspended platforms. After this year’s rains, they nest in deep grass. They are the visible remnants of a wonderful tradition at the school in which students learn by doing — the architecture school’s version of a spring baccanale.

Every April students compete to create the winning project in Design Village. They must construct group housing shelters based on a structural theme, and then test their concepts by spending two nights in them.

Tensile structure at Cal Poly Pomona, croppedThis tensile structure sits gracefully on the hill. Photo by Frances Anderton.

Greg Wynn, architect and faculty member at the school, says this project is the main attraction for Cal Poly SLO students. They work intensively in teams. first designing, then building. "And then that day comes when they get to sew some fabric and lash some bamboo into a makeshift hut that shelters their team for a pair of nights," explains Wynn. "And they love the experience, and they become a part of the legacy of the Canyon. And in the cold of the night when the coyotes howl, they hate the experience. Years later, they recall the Canyon as the place where their architectural journey became real.”

The Architectural Practices Laboratory started in the early 1960s and for several decades some structures were kept and students could live in them instead of dorms. But that liberating experience came to an end amidst school concerns about safety. Now these vestigial buildings sit dormant, quietly disintegrating and gathering graffiti.

Cal Poly graveyard structure covered in graffiti, IMG_5617This organic structure at Cal Poly SLO is now a target for taggers. Photo by Frances Anderton.

However, the annual Design Village serves as a temporary “renaissance of the Canyon each year,” says Wynn. “It is almost like a spring festival within a ruinous landscape, both weird and fun. Architectural 'Burning Man' for freshmen.”

This year’s theme is "modular," taking place April 26th–28th.

If you're in San Luis Obispo, go check it out. Unlike Coachella, you don't have to pay a dime to enjoy this site-specific art!

Student built structure at Cal Poly Graveyard, IMG_5621This cable-supported cantilever is embedded into the hillside at Cal Poly SLO. Photo by Frances Anderton.

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Design Things To Do

Wild Things Are Happening: The Art of Maurice Sendak
Opens April 18th, 2024
Skirball Cultural Center, 2701 N. Sepulveda Boulevard, Los Angeles, CA 90049

No childhood is complete without Maurice Sendak’s Where the Wild Things Are. “It teaches courage and connection with our animal natures,” says hubby Robin Bennett Stein of the book we loved to read with our daughter. It also showcases the emotional power of great illustration.

So it is exciting to learn that a large exhibition of Sendak’s work over his sixty-year career will open this week at the Skirball Cultural Center.

Experience more than 150 sketches, storyboards, and paintings by Sendak, a child of Jewish immigrants, who created Wild Things in 1963, and later the children’s books, In the Night Kitchen (1970), and Outside Over There (1980). He made artwork for publications such as the Little Bear series by Else Holmelund Minarik, and Zlateh the Goat by Isaac Bashevis Singer. Sendak, who especially adored Mozart, also designed sets for opera, theater, film, and television. 

Click here for details.

Note: While at Skirball, check out Common Ground, the show of ceramics to unify a divided America, by Adam Silverman, and the print works of Frank Stella: Had Gadya.

4_wild_things_the_walls_became_the_world_lrMaurice Sendak, Where the Wild Things Are, 1963, watercolor on paper, 9 ¾ x 11” ©The Maurice Sendak Foundation.

Big Ideas
Friday, April 19th, 2 PM–5:30 PM
Saturday, April 20th, 10 AM–5 PM

SCI-Arc's 2024 undergraduates present their thesis projects to their parents, design juries, and the general public this Friday and Saturday. Unlike Cal Poly SLO's hand-building in the wild (above), in recent years at SCI-Arc the emphasis has been on delirious concepts displayed in elaborate 3D printed models.

Expect to witness, says the school, "a vibrant cross-section of the cultural moment—from the design of affordable housing to large public venues that provide equitable access to culture, sports, and athletics, to the architecture of the circular economy."

Click here for details.

Chenming Jiang  M.Arch 1Chenming Jiang, M.Arch 1, SCI-Arc

Good Reads
Los Angeles Times Festival of Books
University of Southern California campus
Saturday, April 20th, 10 AM–6 PM
Sunday, April 21st, 10 AM–5 PM

This weekend, authors, readers, and speakers galore will descend on USC for the annual LA Times Festival of Books.

Angel City Press (ACP), publisher of my book Common Ground, will have a spot there. Come meet many noted ACP writers on LA's cityscape and culture, including Ben Caldwell and Robeson Taj Frazier (Kaos Theory), Josh Kun (The Autograph Book of L.A.), D.J. Waldie (Where We are Now), Lynell George (After/Image), Nathan Marsak (Bunker Hill Los Angeles), Naomi Hirahara (Terminal Island), Darryl Holter and Stephen Gee (Driving Force, below), and Benno Herz (Thomas Mann’s Los Angeles). I'll be there on Saturday starting at 2 PM.

Frazier and Caldwell will also join Ron Kovic for a Sunday panel at noon, entitled "Memoir on Vietnam: Make Art, Not War"; Waldie will be on a Saturday afternoon panel, "Los Angeles on the Page: Memoirs & Stories"; and Hirahara will join a line-up moderated by Patt Morrison on the topic "Arts & Culture: Hidden Histories in the City of Angels."

Tickets are required for the talks. Click here to book.

Click here for the entire festival schedule.

ACP Driving Force bookDriving Force is a recent release by Angel City Press.

Flowers for Aline
Hollyhock House 
April 18th–21st and 25th–28th
Saturday, April 20th, 2-4 PM: Free demonstrations by Sogetsu Masters

I’ve touted Ravi Gunewardena and his gorgeous flower arranging in this newsletter before and will do so again. He will now merge his talents with the spirit of Frank Lloyd Wright, in a special exhibition of 45 fresh-flower works at the Hollyhock House, by Sogetsu Ikebana Los Angeles Branch. This landmark home, LA's only UNESCO World Heritage site, was built in the early 1920s for the headstrong and visionary arts patron, Aline Barnsdall, at the very same time as Wright was also hard at work on the design of the Imperial Hotel in Tokyo.

So the melding of the two is apt. “Expressive arrangements will introduce bold forms and textures, bringing nature indoors and further showcasing the influence of Japanese art and design on Hollyhock House,” say Gunewardena and Hollyhock House director Abbey Chamberlain Brach. The pair have teamed up to create installations that will activate terraces and gardens “spilling from cast concrete planter boxes and responding to Wright’s artful interiors," including the child’s bedroom, where six ikebana works will be displayed. This room is accessible to the public for the first time since the site’s 2022 reopening.

On Saturday, April 20, four Sogetsu masters and selected students will present ikebana demonstrations free to the public in the Barnsdall Gallery Theatre.

Click here for details.

1-Ravi-GuneWardena-2048x1365Image courtesy Ravi Gunewardena

City of Dreams: Los Angeles Interiors
Tim Street-Porter and Annie Kelly in conversation with Victoria Lautman
Saturday, April 20th, 11 AM
Neutra Office Building, 2379 Glendale Boulevard, Silver Lake

And then... a book signing!
Arcana Books
8675 Washington Boulevard, Culver City, CA 90232
Saturday, April 20th, 4 PM–6 PM

The photographer and writer duo Tim Street-Porter and Annie Kelly will be busy this Saturday, April 20th with events promoting their latest Rizzoli publication City of Dreams: Los Angeles Interiors - Inspiring Homes of Architects, Designers, and Artists.

In the morning, they will sit down with Victoria Lautman, arts writer and broadcaster, for a talk hosted by the Society of Architectural Historians. Then they'll hop over to Culver City for a book signing at Arcana: Books on the Arts.

Their book includes "examples of iconic houses inspired by Hollywood film fantasies, Modernist residences by such luminaries as John Lautner," and homes that embody the California dream in stately simplicity like the Malibu home of Chuck and Katie Arnoldi, below.

Click here for tickets to the SAH salon.

Click here for information about the book signing at Arcana.

Arnoldi room, Tim Street-PorterView from the breakfast table of Chuck Arnoldi's Malibu home. Photo by Tim Street-Porter.

Potter Daniels Manor
2024 Pasadena Showcase House of Design
April 21st–May 19th, 2024

Every year, the Pasadena Showcase House for the Arts selects a house to serve as the Pasadena Showcase House of Design. Some 25 interior and landscape designers adorn the rooms and gardens and ticket sales raise money for music programs and grants for other non-profit organizations. 

This year, the home is Potter Daniels Manor, an English Tudor Revival style home commissioned by Gertrude Potter Daniels, wife of a wealthy Chicago businessman, built in 1902 by Joseph J. Blick, one of Pasadena’s pioneer architects. President Theodore Roosevelt was among the guests and the house later served as a set for numerous movies, commercials, and TV shows including Falcon Crest and Remington Steele. Grand.

Click here for tickets.

Pasadena Showcase House of DesignPotter Daniels Manor. Photo courtesy Pasadena Showcase House for the Arts.

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What I'm Digging

Chasing Cheese

What is it about food and bizarre races in spring? Not long ago the NYT ran a marvelous story about the annual orange-hurling battle in the Italian town of Ivrea, which reduced participants to orange-soaked, bruised messes. Now, National Geographic brings us the absurd and equally dangerous annual "Cooper's Hill Cheese-Rolling contest," in which "people send large wheels of Double Gloucester cheese rolling down the hill at 70 miles per hour," which are chased by a crowd of running, often drunk, contestants. It takes place in Gloucestershire, UK, not far from where I grew up, and I have to admit it sounds like a lot of fun.

sg-outdoors-gloucestershirecheeserolling-2023-ecHail victory in cheese-rolling. Image courtesy So-Glos.

Lights Out for the Birds

Springtime is also bird migration time, which means perils ahead for millions of our avian friends as they power into the windows of brightly lit skyscrapers. The BBC reports that Lights Out, Texas, an effort underway in the Lone Star state, is starting to make a dent in those deaths. Texas, one of several states to join a nationwide effort by the Audubon Society, is a "flyover state" for billions of birds. If enough owners step up and switch off the lights in downtown towers, that could deliver additional benefits such as less energy chugged and less light pollution, allowing birds and humans to see stars — in a good way!

Screenshot 2024-04-15 at 4.51.10 PMImage courtesy Audubon.org

What’s in a Middle Name?

Now and then, an intriguing article appears on a topic I’ve barely thought about, like this one in The Atlantic on middle names, and why we have them but mostly keep them hidden. Turns out, says writer Michael Waters, one's middle name can be “a secret weapon, a raw reflection of your personality or of a hidden skill,” and that “metaphor-driven names such as Moxie are taking off, as are more artistic ones, such as Symphony and Rembrandt.” For the record, my middle name is Josephine. I have no idea what it signifies. Could it be a French empress? My mother can’t remember why she and my late father chose it. Now tell me yours!

Screenshot 2024-04-15 at 3.53.48 PMThe Divorce of the Empress Josephine, Henri Frédéric Schopin, 1846. Public domain via Wikimedia Commons

Correction: In my previous newsletter I reported on the expansion of the Broad Museum, and wrote that the museum will add 70,000 square feet. The design team alerted me that the number should read 55,000 square feet, increasing the museum's size by 70%.

Thank you as always for reading this newsletter, especially right through to the end!

Yours with warm wishes,
Frances

PS. Subscribe to the newsletter here, get back issues here, and reach out to me at francesanderton@gmail.com.

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