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Dear DnA readers,

I hope you’re doing well. Party season is upon us — Modernism Week! Art Fairs (Frieze, LA Art Fair, Felix, at the Roosevelt Hotel, above)! Desert X! Oscars! — though it's hard to celebrate amidst the ruins.

Jump ahead for Design Things to Do, and What I'm Digging (Norbot and Cat more than The Brutalist!). Stay on this page for notes on the fires.

I'm sure you are tracking the support and ideas for recovery that are erupting like spring blooms, even from sources as unlikely as the musician Grimes — who co-authored this article in The Atlantic about speeding up the building permit process by outsourcing it to licensed third-party architects and engineers. You could view this as an echo of her sometime partner Elon Musk's hostility to government workers, except that the LA City permitting process is notoriously glacial (thanks in part to too few staff), holding up the construction of much-needed housing. Now some lawmakers are getting behind a radical change. This is just one of many aspects of construction that may get shaken up, as LA faces a rebuild on a scale that demands ambitious solutions.

Listen up to KCRW's ATC on Thursday, when I'll report from Altadena about how a couple plans to rebuild in the high-risk fire zone; and follow FORT: LA for some upcoming public conversations, "Straight Talk about Building Back," that I'll moderate as part of Heart of Los Angeles.

Kaufman House, Desert plantsKaufman House, designed by Richard Neutra. Photo Credit David A. Lee/Modernism Week.

As for Modernism Week, which celebrates its 20th anniversary this year, I just attended the opening weekend, and while there did a Q&A with Raymond Neutra, son of the legendary architect Richard Neutra. It marked the hundredth anniversary of Neutra’s 1925 arrival in Los Angeles, where he proved so influential for LA’s lifestyle and global image, with his biophilic approach to architecture, embedding elemental houses in nature, exquisitely modern in the wild.

That architecture and lifestyle however is the one we've just seen go up in smoke. Three Neutra houses in the Pacific Palisades were burned to the ground in the Palisades Fire. Raymond Neutra revealed that his father’s most famous house, the Lovell Health House in Los Feliz, narrowly escaped immolation just before it was completed. (The Neutra VDL House in Silver Lake also burned down, though not from wildfire, and was rebuilt.) So it was hard not to separate the iconic California home, celebrated at Modernism Week, from its vulnerability.

There is a conversation underway about a future in which we might rebuild sustainably in ways that go beyond simply making the replacement house fire-resistant. This was eloquently laid out in a LinkedIn post by the land use attorney and property developer Alfred Fraijo. 

He writes that recovery must be equitable, prioritize the people who form the backbone of our communities, and also, “We must use this moment to rethink how we plan and build our neighborhoods...Climate change has altered our landscape in irreversible and life-altering ways. Our recovery efforts must prepare us for the future, not simply recreate the comforts of the past. We need to embrace density, with taller, greener, and more affordable housing in areas with robust resources.”

Neutra himself modeled green, affordable housing. He worked on public housing set amidst wildflowers in San Pedro during the war, he designed and built lovely low-rise apartment complexes, steeped in greenery, in Westwood Village. He also designed, with his onetime host and friend R.M. Schindler, the 1929 radical, “International Style” Marathon Apartments in East Hollywood, nicknamed Jardinette (little garden).

This building expressed early twentieth-century ideas in interwar Europe about living well in very small spaces. The petite apartments had open plans, built-in cabinets, Murphy beds, borrowed light via translucent glass panes, a kitchen planned as a “machine for the preparation of meals,” and "little gardens" in pots on balconies.

Jardinette was originally intended for the luxury market, but thanks to the Depression and the sudden disappearance of its owner who didn’t pay his bills, fell quickly downmarket and became what is known as “naturally occurring affordable housing” for many years until it was finally shuttered in 2018. At his talk this past Saturday, Raymond Neutra shared the exciting news that a restoration is underway under the direction of architect and Neutra expert Barbara Lamprecht and that Jardinette will reappear as low-income housing.

Unfortunately, the city is not helping advance the cause of great apartment living: according to the article co-penned by Grimes, the permitting process for apartments on safer ground has been slowed down as permits for replacement houses lost to the fires jump to the front of the queue! As the French would say, Plus ça change, plus c'est la même chose.

Read on for designers who are trying to bring about change.

34, Jardinette, photo contributed by Mott Studios, _A_Jardinette, aka Marathon Apartments. Photo shown in Common Ground, courtesy California State Library.

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Design Things To Do

“Altagether NOW! Honoring Our Past, Shaping Our Future”
Wednesday, February 19th, 6:00 PM (Online)
Saturday, February 22nd, 12:00 PM - 4:00 PM (In-person)
Local Community Bible Church, 2124 Lincoln Ave, Altadena, CA 91001

The Altadena Rebuild Coalition was founded by homeowners in Altadena and SocalNOMA (National Organization of Minority Architects) to preserve Altadena’s historic Black community and "ensure an equitable, resilient recovery for every resident." It hosts two public community events this week: a virtual town hall on Wednesday, February 19th at 6:00 PM (Zoom link, here), and, this Saturday, a public "Grounding Community Event."

Organizers explain that this will be, "Step zero of the rebuilding process — a time to reflect, listen, and lay the foundation for a recovery that respects Altadena’s history — as a sanctuary for African Americans fleeing systemic racism and the harsh realities of the Jim Crow South — and ensures its future."

The event will include Storytelling and Listening Sessions, Art and Cultural Activities honoring Altadena’s historic Black community; Community Dialogue aimed at shaping the Coalition’s priorities moving forward, and Rebuild Information and Resources including a Fire Rebuild Guide and opportunities to connect with minority-led design teams.

Click here to RSVP.

Altadena, post-fires, IMG_0383Altadena, after the Eaton Fire. Photo by Frances Anderton.

Art Fair Trio

Frieze Los Angeles
Santa Monica Airport, 3027 Airport Avenue, Santa Monica, 90405

Felix LA                                                                                                             Hollywood Roosevelt Hotel, 7000 Hollywood Blvd, Los Angeles, CA 90028

LA Art Show
LA Convention Center, South Hall, 1201 S Figueroa St, Los Angeles, CA 90015

February 19th-23rd; check websites for public opening hours

Three Art Fairs, three locations, three different vibes — hit LA this week: Frieze, at Santa Monica Airport; Felix, at the Hollywood Roosevelt Hotel, and The LA Art Show, at the Convention Center. Each runs from the 19th to the 23rd, with a mix of private previews and public hours. Each is cognizant of the timing of these fairs, so soon after the fires, so will donate some proceeds to fire-related charities.

Art experts such as KCRW's Art Insider author Carolina Miranda can give you the scoop on the galleries and works on show. For me, the setting has a huge impact on the experience of art (enough of the white vendor booths!) so I'm eager to see if architect Kulapat Yantrasast has brought his sartorial flair to the Frieze tent; to check out the 'Inside Out' site-specific work at the Santa Monica Airport (Frieze) by Jackie Amézquita, Dominique Moody, and Lita Albuquerque* and others; and to dip in and out of the warren of rooms at the Hollywood Roosevelt Hotel (Felix). 

Always eager to see the work of friends too, like Kim Schoenstadt at Timothy Hawkinson Gallery at Felix (poolside room no.104), and Bert Green, founder of the famed Downtown LA Art Walk, who returns to the LA Art Show after a five-year hiatus.

Click here for Frieze Los Angeles.

Click here for Felix LA.

Click here for LA Art Show.

*Lita Alberquerque joins Lauren Bon at Neuehouse Venice on Wednesday, February 19th, at 7:00 PM, for a conversation about Art & The Natural World.

Kulapat at Frieze 2024, IMG_0289 copyKulapat Yantrasast, in stripes, at Frieze LA, 2023. Photo by Frances Anderton.  

Fire Kinship, a Public Gathering
Public Gathering: February 22nd, 6:00 PM–9:00 PM
Exhibition: Through July 13th, 2025
Fowler Museum at UCLA, 308 Charles E Young Drive North Los Angeles, CA 90024

Of all the PST ART shows, this has to be the most timely. Fire Kinship: Southern California Native Ecology and Art "challenges the attitudes of fear and illegality" around the controlled burns that were part of land management prior to European colonization; and that some experts argue should be restored as a means of preventing massive fires. Drawing on the knowledge of the Tongva, Cahuilla, Luiseño, and Kumeyaay peoples, the exhibition makes the case for "a return to Native practices in which fire is regarded as a vital aspect of land stewardship, community well-being, and tribal sovereignty."

This Saturday, the museum will host a public community gathering with a reception and shared reflection on the role of fire stewardship in our communities.

Click here to RSVP.

Fowler Museum, Fire KinshipImage courtesy Fowler Museum. 

Modernism Week!
Through February 23rd
Multiple Locations, Palm Springs

Modernism Week, the annual festival of mid-century modern architecture, art, interior and landscape design, and vintage culture, continues its smorgasbord of activities this weekend, with faves like the Charles Phoenix Super Duper Double Decker Bus Tour, tours of Frank Sinatra's Neighborhood, and of the masterful Albert Frey II, and a Midcentury Mixology Cocktail Class.

Click here for the Modernism Week schedule.

Growing Up Wexler
Ticketed house tours on February 19th and 20th.
The Wexler House, 1272 East Verbena Drive, Palm Springs, CA 92262

Modernism Week features some special offerings, such as the opportunity to check out the house, now a nationally registered historic property, designed in 1955 by architect Donald Wexler for his family in the Movie Colony neighborhood of Palm Springs.

In Growing Up Wexler, curated by Brooke Hodge, you can check out the monochromatic redo of the interior by current owner Daniel Giles, founder of Perfumehead, along with Wexler family memorabilia, and displays of original architectural drawings and sketches.

Ticket sales benefit the Wexler Archive at Cal Poly Pomona.
RSVP for Growing Up Wexler at daniel@perfumehead.com.

Growing up Wexler, IMG_0488The Wexler family house. Photo by Frances Anderton  

Helmut Lang: What remains behind
February 19th–May 4th, Open: Wednesday–Sunday: 11:00–6:00 PM
Opening Reception: Wednesday, February 19th, 2025, 6:00–8:00 PM
MAK Center, Schindler House, 835 N. Kings Road, West Hollywood, CA

Desert X Artistic Director Neville Wakefield brings his curatorial eye to the MAK Center for Art and Architecture at the Schindler House in West Hollywood, with What remains behind, a solo exhibition of works by Helmut Lang, the Austrian-born former fashion designer, now fine artist. Rudolph Schindler's house, says the curator, "provides the spare, proto-minimalist frame for a series of freestanding sculptures" in which "the visible and the invisible are put in direct play."

Click here for information; RSVP here for the opening reception.

Helmut+Lang+(replacement+image)Image courtesy MAK Center.

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What I'm Digging 

Wallace and Gromit: Vengeance Most Fowl

The Oscars are around the corner and doubtless, you've read quite a lot about the top live-action contenders.

But you may not have encountered much about Norbot! Leave it to Nick Park and the Aardman team to make a seriously hilarious film about robots run amok — Wallace and Gromit: Vengeance Most Fowl — in which Wallace the amateur inventor creates The Norbots (Nifty Odd-Jobbing Robots) and has to be rescued by his claymation canine Gromit when things go very wrong. It contains Park's usual acute eye for detail, gets in clever nods to classic crime capers (like the first Italian Job), and has enormous fun with the devilish gnome as he takes the shears to English small-town life.

Screenshot 2025-02-17 at 9.02.48 PMWallace, Gromit, and the naughty gnome. Image courtesy Netflix.com

Flow

If Wallace and Gromit adds up to a dense 80 minutes of visual and verbal wit, Flow, a rival for Best Animated Feature, is the opposite: a lyrical, wordless narrative featuring Cat, who is swept up in a flood and has to go with the "flow" to survive, by teaming up with other species. The filmmaker Gints Zilbalodis used a free, open-source software called Blender, deploying it to painterly and emotional effect, as you swirl along through forest and ocean with Cat, the bling-loving lemur, the injured Secretary bird, over-excited golden retriever, and the snoozy capybara. Gorgeous. The director's native country Latvia, incidentally, had never earned even an Academy Award nomination, so Zilbalodis, who just won the country's first Golden Globe, has become a national hero.

Cat in FlowCat goes with the Flow. Image courtesy Janus Films/Sideshow

The Brutalist

This Design and Architecture newsletter would be incomplete without acknowledging the multi-nominated The Brutalist, directed by Brady Corbet, which started streaming this week. I was expecting a variant on The Fountainhead and found instead what hubby described as "Ayn Rand on dope." A Bauhaus-trained, Hungarian emigre architect (László Tóth/Adrien Brody), escapes the Holocaust and gets a big break in Philadelphia from a wealthy industrialist (Guy Pearce) once he's recovered from the shock of a spartan library Tóth has designed for him in his absence (below). But the movie's title, tantalizing design buffs with dreams of footage of Béton brut (raw concrete), belies a narrative in which the architecture generally takes a back seat to Tóth's relationships, drug habit, antisemitism, anguish for his wife left behind in Europe, and various other distractions. It is beautifully shot though.

The BrutalistPhoto courtesy of A24.

Well, that's it for now. Thank you as always for reading this newsletter.

Yours,

Frances

P.S. Subscribe to the newsletter here, get back issues here, and reach out to me at francesanderton@gmail.com.

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