Not rendering correctly? View this email as a web page here.
Screenshot 2026-01-29 at 5.34.47 PM

Dear Music Insiders,

In this space, I often talk about KCRW + Community and how community is the secret sauce that powers us. The other day, I had a conversation with KCRW DJ Tyler Boudreaux about a holiday visit to New Orleans. There, she visited the hallowed halls of WWOZ, the New Orleans jazz and Heritage station. It is listener-supported and volunteer-programmed radio.

I loved her story so much about WWOZ that I asked her to share it here with you, all of us brothers and sisters in the mission of public and community-powered radio!

From Tyler: 

Even though my last name is Boudreaux and my Creole bloodline descends from New Orleans, I had never experienced the essence of The Big Easy until last January when I visited for my 30th birthday. I wanted to celebrate this milestone by strengthening my connection to my family roots, enriching my passion for American music history (all music leads back to New Orleans), and, of course, eating well, drinking heavily, and dancing merrily.

I became infused with the spirit of New Orleans. For most of the year, all I listened to were The Meters, the Wild Tchoupitoulas, Professor Longhair, Dr. John, and whatever jazz, funk, or blues was broadcasting on 90.7 WWOZ — the New Orleans listener-supported public radio station.

I couldn’t wait to get back for my next trip in December. Just as the excitement geared up a week before takeoff, I received an email from a listener named Don Paul who wanted to share his Louisiana Stories compilation CD. At the end, Don mentioned that his wife, Maryse Philippe DeJean, is head of Community Engagement and Volunteers at WWOZ and a Jazz show host on Mondays. What timing! What serendipity! “I hope that you can somehow collaborate,” Don wrote. “Community Radio is a gigantic force and an even more giant possibility!”

I swiftly replied, geeking out about how I was the Volunteer & Outreach Manager at KCRW before becoming an on-air DJ. I mentioned that I would be traveling to NOLA soon, and I went for the big ask, “Could I possibly meet you at the station and get a tour of WWOZ?” She enthusiastically agreed, and we scheduled a time.

I was so excited on December 30th when I met up with Maryse at the base of Jax Brewery, a 1890s historic building in the French Quarter. Maryse immediately felt like a kindred spirit. She took us up to the top floor of the building, and we stepped inside the sacred radio threshold of WWOZ.

Maryse explained how this studio space became the new permanent location of ‘O-Z (as it’s lovingly referred), after its operations were displaced following Hurricane Katrina in 2005. She escorted us to an outdoor patio where they hold events, with a cityscape that stretched from the Central Business District to Jackson Square. We walked down hallways lined with art gifted by members or portraits of icons like Big Chief Monk Boudreaux or old posters of their famed Piano Night series or JazzFest and Mardi Gras relics. We sauntered to another outdoor space with a view of the Mississippi River and even noticed little mobile radios on the wall that you can take outside to not miss a beat. She showed me around their live session space, and then we entered their master control. O, that great room breathing music into the air!

We gathered by a long table where volunteers stuff mailers and work on other projects, and Maryse and I bonded over starting out as volunteers and the importance of volunteering as a hands-on way for the community to get involved with the station.

I met some key members of the team and even saw one of Allen Toussaint’s handmade suits his family gave to ‘OZ for fundraising. It was amazing to learn about the many ways ‘OZ broadcasts the heritage and spirit of New Orleans. “Guardians of the groove…”

A lot reminded me of KCRW. They saved a door from their previous location with all of the stickers on it, and it reminded me how we saved the bench from our previous location in the basement. In every great music city, there’s a public radio station amplifying its heartbeat to the world. It’s this principle that guides the work we do here at KCRW and what I witnessed at ‘OZ. Community radio is a light in these dark times, guiding us to one another.

I want to thank Maryse and the WWOZ staff for welcoming me into their incredible space. My visit filled my cup with inspiration, motivation, and excitement for another year of servicing my community with good music on 89.9 KCRW.

-Tyler B. 

KCRW <3 WWOZ
600x100_2
MBE_JeanDawson_RommelAlcantara-16

Jean Dawson on Morning Becomes Eclectic

Jean Dawson stopped by Morning Becomes Eclectic for a wide-ranging, soulful conversation about genre-defying music, identity, and the moments that shaped his sound.

From growing up between Mexico and San Diego to finding inspiration in artists like David Bowie, M.I.A., and Aaliyah, Dawson shared how lived experience fuels his fearless artistry. He also talked about his new album, choosing songs that feel like emotional truth rather than genres, and what’s ahead as he heads out on tour with Miguel — bringing his singular, boundary-pushing vision to stages across the country.

Jean-ius Conversation
A banner ad reads: KCRW. Win a dreamy VIP trip for you + a guest to COSMICO FESTIVAL. Donate now.
MBE_MargoPrice_RommelAlcantara-19

Margo Price on the Grammys & What's Next

Hi. Anne here. I first met Margo Price on my birthday (She sang “Happy Birthday” to me). It was 2016, and from the moment I met her, I knew she didn’t take s**t from anyone. Margo is an old-school country outlaw. Wednesday, she came to Morning Becomes Eclectic, nominated for two Grammys for Best Traditional Country Album and Best Country Duo/Group Performance to talk about… Jimmy Kimmel, not letting the bastards get her down, Willie Nelson, Emmylou Harris, Conway Twitty... Do we need to say more? Listen to her conversation with Novena! And listen to her live performances on KCRW in 2016 and 2023.

The Price is Right

Sponsored

1200x667

T9 Required, Sanity Optional. Text VMP for Gelli.

Meet KCRW’s Breakthrough Artist of the Year Gelli Haha and her latest release, Switcheroo — a playful, genre-slipping record that feels equal parts pop experiment and left-field art project. Switcheroo bends hooks into unexpected shapes, ricocheting between bubbly melodies, warped textures, and moments that feel like they might melt mid-song (in the best way). It’s the kind of album that rewards repeat listens, revealing new details each time you drop the needle.

For vinyl lovers, this hits different. Switcheroo is remastered for vinyl, includes two exclusive remixes, and is available from VMP — only via SMS. No apps, no scrolling, just T9 energy. Text VMP to 314-300-9979 to snag your copy and hear Switcheroo the way it was meant to be experienced: loud, tactile, and a little unhinged.

Go Analog
Screenshot 2026-01-29 at 4.19.24 PM

What’s Raphael Saadiq’s Golden Rule for Making Music?

Raphael Saadiq has been influential to the music industry since he burst onto the scene with his group Tony! Toni! Toné! Since then, he’s produced hits with artists like Beyoncé and scored countless film and TV projects. 

He’s now nominated for an Academy Award for Best Original Song for his blues anthem “I Lied To You” from the blockbuster hit Sinners. He spoke with Sam Sanders about what went into creating the song, his connection to director Ryan Coogler, and his golden rule for making music for movies. 

Plus, Raphael remembers his late friend D’Angelo and shares the story behind their iconic song “Untitled (How Does It Feel).”

24Kt Advice
600x74_2
600x74_2-2

Cosmico Sweeps Last Chance

email(600x250)

Join our community of music lovers who share your passion for discovery, deep dives, and connections through music. | Become a KCRW Member

Download the KCRW App

App Store Badge Png

 

Google Play Badge PNG