Lean into the pure pop exhilaration of this playful, synth-driven standout from Tove Styrke’s forthcoming album The Afterparty. Produced with analog synthesizers from the '70s and '80s using audio from live performances, the track shimmers with warmth and movement, capturing the rush of peak nightlife. Part of a concept album — it unfolds over the course of a single evening — "Song and Dance Man" occurs in the narrative before its unraveling, offering a bright, carefree moment before the story slips into stranger territory.
Karen y Los Remedios reach for something cosmic with this hypnotic blend of dream-pop, Latin house, and textured electro. An intimate meditation slowly blooms into an irresistible groove, with glowing synths, elastic basslines, and layered vocals dawning upon the dancefloor. Inspired by ancient creation myths and scientific theories about the birth of the universe, this spark of a single is a force of creation itself.
Dent May has the rare ability to make melancholy sound inviting, and “I Remember…” is one of his warmest reflections yet. Inspired by Federico Fellini’s Amarcord and Joe Brainard’s I Remember, the song wanders through a past relationship with tenderness and humor, favoring gratitude over regret. It’s nostalgia in its truest sense: a beautiful ache. Musically, May channels the lush, homemade charm of Electric Light Orchestra, blending breezy harmonies, shimmering strings, and bright hooks into a memorable track.
Captain Murphy has emerged from the shadows once again with “Mudhole,” a menacing collaboration between Flying Lotus and Brainfeeder producer Little Snake. Built on crushing low-end, warped textures, and Captain Murphy's unmistakably cold delivery, the track feels like controlled chaos, the very soundtrack for a descent into darkness… and it’s just that: having been created for the Lionsgate action thriller The Furious. But “Mudhole” also marks the return of Flying Lotus' alter ego, Captain Murphy, a characterization that built a cult following through cryptic releases and occult-inspired mythology. Jump in and get dirty.
Sarah Davachi invites deep listening with this haunting choral work performed by Chamber Choir Ireland. Drifting between Renaissance-inspired polyphony and contemporary minimalism, it is subtle, patient, and unfolds with grace. Less about melody than creating musical immersion, this track asks you to slow down and steep in every resonance. The Will of Tongues, Davachi's monumental triple album, is on the way, just ahead of her receiving the prestigious Silver Lion at the 2026 Venice Biennale. Challenge your ear to identify the inspiration, a surrealist text by André Breton, and consider the voice as both instrument and architecture. Make sure to catch her performance in LA on Sept 10 at First Congregational Church of Los Angeles
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