The Cramps - "TV Set"

The Cramps are back from the crypt. “TV Set,” one of the earliest songs recorded by Lux Interior, Poison Ivy, Bryan Gregory, and Nick Knox during their legendary 1977 sessions with Alex Chilton, resurfaces as the first taste of Gravest Gravy, a long-lost collection originally assembled by Lux and Ivy in the late ’80s but never released. Nearly five decades later, it still sounds gloriously deranged: rockabilly, punk, horror, and sleaze colliding in a cloud of feedback and swagger.

The release also launches a major new chapter for the band's legacy. Poison Ivy has joined forces with longtime friends and collaborators to form The Cramps, Inc., a new initiative dedicated to preserving and expanding the band's catalog through the revival of Vengeance Records, official merchandise, archival releases, and previously unheard recordings from the vault. For a band that never stopped influencing generations of outsiders, misfits, and garage-rock disciples, "TV Set" isn't just a blast from the past. It's the opening shot of an exciting new era.

Helado Tropical - "Tocando"

“Tocando” feels suspended between a late-night confession and a slow-moving tide. Helado Negro and Reyna Tropical melt their distinct sonic worlds together into something humid, intimate, and beautifully unresolved, where drum machines pulse softly beneath lyrics that ache with tension and tenderness. There’s a looseness to the track that makes it feel alive, like you’re hearing the song think and breathe in real time. Guitars shimmer, rhythms drift in and out of focus, and emotion arrives in waves.

Danny Brown - "Lift You Up"

A decade after tearing across festival stages together on their Worst of Both Worlds tour, Danny Brown and Baauer reunite for a remix that feels like pure kinetic release. Baauer takes “Lift You Up,” a standout from Danny’s Stardust, and injects it with a fresh dose of bass-heavy propulsion, stretching the track into something built equally for headphones and dancefloors. The collaboration carries the chemistry of two artists who have long thrived at the intersection of chaos and precision. Danny’s unmistakable flow cuts through Baauer’s warped production with effortless swagger, while the accompanying video doubles as a joyful love letter to Detroit, spotlighting local dancers and landmarks across the city.

Tomorrow Tomorrow - "Rearview Mirror"

“Rearview Mirror” captures that uneasy space between looking back and forcing yourself forward. Los Angeles multi-instrumentalist Nico L-S, recording as Tomorrow Tomorrow, layers fingerpicked guitars, swelling harmonies, and slow-building waves of distortion into a song that feels both intimate and cinematic. What begins as quiet reflection gradually opens into something larger, mirroring the emotional weight of revisiting old versions of yourself while trying not to get stuck there. Drawn from her self-produced debut album Dwelling, the track showcases Nico’s remarkable DIY vision. She wrote, performed, recorded, produced, and mixed every note from her home studio, blending the vulnerability of singer-songwriter confession with the scope of dream-pop, grunge, and indie rock.

Horse Lords - "First Galactic Utopia"

Horse Lords have always occupied a lane of their own, where mathematical precision somehow lands directly in the hips. “First Galactic Utopia” is a perfect example: delayed guitars stretch and bend like taffy, fuzz bass digs in deep, and a dry, hypnotic groove pulls everything forward with relentless momentum. What sounds impossibly intricate on paper feels surprisingly physical in practice. Drawing from the rhythmic traditions of Kuwaiti sawt music while pushing further into their own psychedelic terrain, the Baltimore quartet builds a world where repetition becomes revelation. Synthesized textures swirl around an unshakable pulse, creating the sensation of drifting through deep space while your feet stay firmly on the dancefloor.